"The lover can see, and the knowledgeable."
—Annie Dillard, "Seeing," Pilgrim at Tinker Creek
Showing posts with label muscles. Show all posts
Showing posts with label muscles. Show all posts

07 February 2011

spinal erectors and abdominal muscles

Muscle Assignment #2 
due:
Friday, Feb. 12, for 301-001 and 
Thursday, Feb. 11, for 301-002

quadratus lumborum,
vol. 5: pp. 60-61
make sure you build both triangles of this muscle.

external obliques,
vol. 5: pp. 78-79
pay extra attention to the digitations along the rib cage. each point should land on a rib.

rectus abdominis,
vol. 5: pp. 72-73
indicate navel and tendinous inscriptions.











Muscle Assignment #1 (due Monday, Feb 7 [301-001] and Tuesday, Feb. 8 [301-002])
 

spinal erectors

spinalis
-cervicis, vol. 1: pp. 94-95
note the space here between the spinous processes and the transverse processes--the muscle is on the spinous processes, far back on the dorsal surface

-capitis, vol. 1: pp. 96-97
note this muscle's relation to the nuchal ligament and remember that ligament on your maniken is already there (the plastic behind the cervical vertebrae on your manikens)

-thoracis, vol. 1: pp. 98-100
same as the cervicis--look at the space between this muscle and the surface of the rib cage. keep the muscle away from the surface of the rib cage.


longissimus
look at how all these sections twist together, like three pieces of a rope

-capitis, vol. 1: pp. 106-107

-cervicis, vol. 1: pp. 108-109

-thoracis, vol.1: pp. 110-111
look here at how rounded out the thoracis is from side to side, also how there is space behind it, how it doesn't glue itself to the rib cage. also make sure to build the lumbodorsal fascia.


iliocostalis
this muscle is similar to longissimus in how its pieces twist
-cervicis, vol. 1: pp. 116-117
this segment appears to come out quite far. this appears this way because it is wrapping next to the longissimus, not really sticking out in space.

-thoracis, vol. 1: pp. 118-119

-lumborum, vol. 5: pp. 62-63
remember this is in book number five. it will also connect to the lumbodorsal fascia.




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09 February 2010

exercises for the spinal erectors


watching this video and performing the exercises shown (before, during, or after building the spinal erectors on your maniken) will give an even greater understanding of the muscles. the more body awareness you can create for yourself this way, the quicker you will catch on to what the muscle is like, what it does, where its greatest stress and action occur on the body.

try it!

21 September 2009

muscle study, richard morris


Found this drawing ar Richard Morris Gallery. A lot of the work I find to be too academic in the sense that it is quite accurate and even beautiful, but has little uniqueness or life to it beyond that.

However, this drawing of the muscles from a sculpture is nice and shows the muscles of the posterior body that we will be learning via clay and drawing.

16 June 2009

intercostales interni

Intercostales interni, originally uploaded by czarita.

nice image of muscle fiber direction:




intercostales interni


The Intercostales interni are also eleven in number on each side.

Their attachments:
  • commence anteriorly at the sternum, in the interspaces between the cartilages of the true ribs;
  • and at the anterior extremities of the cartilages of the false ribs,
  • and extend backwards as far as the angles of the ribs, where each is replaced by an aponeurotic layer named the posterior intercostal membrane, which is continuous with the superior costotransverse ligament.
Each muscle arises from the floor of the costal groove and the corresponding costal cartilage, and is inserted into the upper border of the rib below.

Their fibers axe also directed obliquely, but at right angles to those of the External intercostal muscles.

30 October 2008

assignment for tuesday, november 4

build the following leg muscles

(look them up in the index of volume 4, pelvic skeleton)


posterior leg:

deep muscles of the posterior leg:
flexor digitorum longus
tibialis posterior
flexor hallucis longus
popliteus











superficial muscles of the posterior leg:
soleus

gastrocnemius





anterior leg = extensors (dorsiflexors)

tibialis anterior - this muscle begins high on the lateral tibia. its tendon crosses over to the medial ankle and foot. (this cross-over tendon creates, as robert beverly hale writes, a form the size of the nose--by paying attention to it while building and drawing, you can create a nice transition from leg to foot).


extensor digitorum longus (long extensor of the toes)
extensor hallucis longus (long extensor of the big toe)
peroneus tertius (consider this part of the extensor digitorum longus, as its fifth tendon.)








lateral leg

peroneal brevis (left)
peroneal longus (right)

16 October 2008

assignment for tuesday, october 14

finish building glutes

gluteus minimus (vol. 4, pp. 42-43)

gluteus medius
(vol. 4, pp. 44-45)

tensor fasciae latae
(vol. 4, pp. 118-119)

gluteus maximus,
iliac head (vol. 4, pp. 120-121)
you do not have to build the IT band again; you've already built it with the tensor

gluteus maximus,
axial head (vol. 5, pp. 64-65)

08 October 2008

the society of figurative arts









this is a beautiful and helpful website with tons of examples of structural drawing, line work, and anatomy








here are examples of the torso, rib cage, and pelvis (note the muscles included in the drawings like we've been working on in class):




























30 September 2008

muscle assignment


1. spinal erectors

spinalis
-cervicis, vol. 1: pp. 94-95
note the space here between the spinous processes and the transverse processes--the muscle is on the spinous processes, far back on the dorsal surface

-capitis, vol. 1: pp. 96-97
note this muscle's relation to the nuchal ligament and remember that ligament on your maniken is already there (the plastic behind the cervical vertebrae on your manikens)

-thoracis, vol. 1: pp. 98-100
same as the cervicis--look at the space between this muscle and the surface of the rib cage. keep the muscle away from the surface of the rib cage.






longissimus
look at how all these sections twist together, like three pieces of a rope

-capitis, vol. 1: pp. 106-107

-cervicis, vol. 1: pp. 108-109

-thoracis, vol.1: pp. 110-111
look here at how rounded out the thoracis is from side to side, also how there is space behind it, how it doesn't glue itself to the rib cage. also make sure to build the lumbodorsal fascia.


iliocostalis
this muscle is similar to longissimus in how its pieces twist


-cervicis, vol. 1: pp. 116-117
this segment appears to come out quite far. this appears this way because it is wrapping next to the longissimus, not really sticking out in space.

-thoracis, vol. 1: pp. 118-119

-lumborum, vol. 5: pp. 62-63
remember this is in book number five. it will also connect to the lumbodorsal fascia.




2. abdominals

quadratus lumborum,
vol. 5: pp. 60-61
make sure you build both triangles of this muscle

external obliques,
vol. 5: pp. 78-79

rectus abdominis,
vol. 5: pp. 72-73
indicate navel and tendinous inscriptions

assignment for tuesday, october 7

1. post to your blog images of the following points of view of your maniken. do this after you have finished building the spinal erectors, quadratus lumborum, external obliques, and rectus abs.
  • straight on front
  • straight on back
  • 3/4 front
  • 3/4 back
2. describe your process of building the muscles, which muscle are in which photo--use their anatomical names. describe the attachments and actions of each muscle.

3. write about what you learned while building the muscles in clay.

4. how did you use your frustration with a new process to learn something?

5. what was frustrating and how did you move beyond that frustration?

6. what problems did you solve?

7. what will you do different next clay assignment?

8. what tips can you share with your blog group members to help them with their clay building?

9. how will you use your new understanding when you draw the figure again?

10. what anatomical resource[s], besides the atlases, did you find helpful?


remember when writing about frustrations or problems to frame them in a professional format. no one (your future boss included) wants to hear whining. we want to know how you worked through the problem.

29 September 2008

muscle memory

here is another excerpt from the athlete's way by christopher bergland.

this information deals with purkinje cells, microtubules, muscle memory, and the benefits stretching has on the nervous system (bergland cites these benefits as primary to stretching's benefits for the muscles and tendons)

since we are beginning the work on building muscles and tendons in life drawing one and continuing work on sensing our muscles in yoga, i thought this would be another excellent text to help you understand the relationship between figure drawing and yoga.

also, and just as importantly, this text touches how we learn through repetition, through practice, through creating muscle memories. this applies to the physical process of drawing the figure just as it does to yoga and sporting events. for example, every time you begin a drawing by establishing the long axis of the torso, you are creating a muscle memory. the second time you do this, you strengthen the pathways in your brain that help you do that.

part of my job in life drawing is to assist you in creating new habits for yourself--for understanding the body, for making drawings that have a sense of life, for refining your skill with line.

creating new muscle memories also applies to 1) holding your drawing tool with a drawing grasp rather than a handwriting grasp, 2) standing with enough space between you and your easel, and 3) keeping your eye and hand moving together as you study the form of the figure.

it is also why i have you build the muscles on the maniken. if you can create a muscle memory with your hands and fingers moving from one attachment to the next, you will have access to that memory as you look at the model and remember what that muscle is like as you draw.

this works best when you pay attention to the maniken and clay as you build rather than treating it as busy work while really paying attention to something else while you build. it also means that building a muscle more than once increases your understanding and memory of that muscle--so, if i ask you to re-build a muscle, view it as an opportunity to learn the muscle better.


the excerpt:

more from the athlete’s way: sweat and the biology of bliss
by christopher bergland
st. martin’s press
new york, ny
2007

*for more information on pukinje cells and microtubules, see below

stretch your neurons from head to toe
de-stress the web of body snatchers

the human body is not a thing of given substance, but a continuous creation. the human body is an energy system . . . which is never a complete structure; never static; is in perpetual inner self-construction and self-destruction; we destroy in order to make new. [norman o. brown, american philosopher]

this chapter is going to focus on flexibility and balance. the athlete’s way is about the process of linking up body, mind, brain, and human spirit. the focus of stretching in this chapter is as much about stretching the cables of your nervous system, improving your state of mind, and getting touch/with your human spirit as it is about the flexibility of muscles and tendons. stretching, and breathing deeply, is a great way to relax and decompress. it gets the kinks out of your nervous system. think of stretching as a way to take a time-out from the hectic world and get yourself centered.

the focus of balance is on the cerebellum and plumping up your purkinje cells.* balance is a ue-it-or-lose-it system. this chapter will tell you how to practice using your balance system. you want to stretch a little bit every day, and get in the habit of discreetly balancing on one foot throughout the day, in line at the bank or waiting for the bus. (226-227)


stretching engages the network of neurons that is your nervous system and invigorates it--like a massage from the inside out. neurons stretch from the back of your head to the tips of your fingers down your legs to the/ends of your toes. when you bend over to touch your toes you are lengthening axons, elongating microtubules,* and opening up the synaptic gaps that are the junctions of the billions of neurons woven throughout your entire body. make waking up the nervous system and the benefits on mind, brain, and spirit your number one reason to stretch.

when you stretch your arms as wide as you can, you are elongating the axons that go from the base of your brain to your fingertips. feel the electricity going through each neuron and in the synapses. the circuitry explodes when you stretch, because you are getting the electrochemicals and blood flowing into the nooks and crannies of the nervous system, which wakes it up. breathe deeply and imagine sending oxygen and blood flow to those areas that feel tight.

neurons need the nutrients delivered by blood flow and oxygen that stretching sends there. visualize this when you stretch. imagine every breath sending more blood flow and oxygen to the tight area. feel the stretch as you hold it and breathe. imagine that you are flooding that area with fresh nutrients and washing away the old stale toxins. this is a simple visualization that has worked for me every day for twenty years.

your brain alone has enough energy to light a twenty-watt lightbulb, but there is much more energy than that in your entire nervous system. your ability to tap the collective pool of energy in the universe is infinite. imagine the kilowatts pumping through your nervous system and plug into it. light up your spinal column. (228)



microtubules
transport tubes of bliss molecules

over time, with continuous daily practice, exercise strengthens--plumps up--the microtubules to transport more effectively the neurochemicals associated with bliss. the improved delivery system can result in more amplified feelings of bliss because the pipes run faster and cleaner.

these waterproof pipelines can transport a substance from the body of a cell to its synapse end-terminal up to three feet away. inside each axon are about a hundred microtubules that lie flaccid like a flat fire hose. with a neurotransmitter cargo inside, they become rigid and stiff. these pipelines will swell within 1/10,000 of a second when a neuron springs to life and begins to communicate using the chemicals pumped through millions of neurons like wildfire, each linking at the tips of these microscopic channels to create an engram, a neural net. within each axon, there are actually a hundred separate delivery systems squirting messages into the synaptic gap in milliseconds. this is how all the neurotransmitters transport chemical messages and deliver cargo to pleasure and pain centers.

when you exercise, microtubules pump serotonin into the frontal lobes--this makes you happier and smarter. researchers at johns hopkins have recently discovered that the strengthening of axons in the frontal cor-/tex because of more serotonin is probably what makes SSRIs (selective serotonin reuptake inhibitors) like prozac work. although it is too early to say, the real power in antidepressants may actually lie in the microtubules becoming a better delivery system because of serotonin, which also occurs with exercise.

breaking a sweat makes your microtubules bigger, stronger, and more efficient. my dad says, “people like you and lance armstrong who do a lot of exercise have bigger microtubules than the rest of us.” you need microtubules to be able to deliver large quantities of cargo quickly. they get stronger and bigger when you overload them. this cutting-edge concept is just beginning to be studies by other neuroscientist. (118-119)



purkinje cells
the key to muscle memory

learn by practice. --martha graham

number of purkinje cells = 15 to 25 million (relatively small number)
number of synapses made on a purkinje cell = up to 200,000 (relatively huge number)

muscle memory is stored in the purkinje cells of the cerebellum. purkinje cells are named after johannes purkinje, who first identified these neurons in 1837. dr. purkinje was also the first person to identify the individuality of the human fingerprint. he had a figt for discovering relatively obvious things everyone else had overlooked. purkinje cells are the most distinctive neurons in the brain; their dendrites fan out into chinese fans. dendrites are arranged at right angles to the parallel fibers other molecular layers, forming tens of millions of synapses. but they never touch.

you could think of one thousand purkinje cell dendrites as a “receiving dish” from many wide and varied places in your body. the single pukinje cell axon could be seen as one outgoing wire sending signals from all over the place through a consolidated pipeline. the dendrites of purkinje cells are parallel but never touch. they oscillate like fishtails and push signals up the axon, out of the cerebellum, and up into the cerebrum. the power of these “fishtails” oscillating in unison could also be seen as a car engine with thousands of cylinders (the dendrites) channeling information into a single drive shaft (the axon).

the synaptic plasticity of purkinje cells is in your hands. they are reshaped daily through practice and repetition. the purkinje cells work at a quantum speed. the amplification of more than two hundred thousand incoming signals through one axon offers parallel processing capability from the cerebellum up into the cerebrum.

this lightning-fast processing in a goalie’s cerebellum allows him to leap for a soccer ball while reaching out his hands, keeping his eyes locked on the target. his cerebellum monitors postural control, muscle tensions, velocity, and gravity before he grabs the ball and rolls as he hits the grass. the final output of any given purkinje cell is via a single axon, but all the purkinje cells are working autonomously, but simultaneously. they oscillate together and march in lockstep. these cells take sensory information from all parts of the body and send it to the cerebrum. (119-120)

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